Tefillin - made in Egypt?
By STEPHEN GABRIEL ROSENBERG

So many Jewish cultic practices come from ancient Egypt that it's not surprising to see Egyptian monuments showing the Pharaoh wearing a headdress that looks like the tefillin - phylacteries - worn during prayer by observant Jews.

In many depictions, Pharaoh is shown wearing a snake crown from which there projects above his brow a sacred asp or viper and a cobra in aggressive attitudes. They represent the Pharaoh's power of protecting his land by means of serpents that can both defend the land and attack the enemy when necessary.

Such powers were essential to the rulers of Egypt, whose rich but extended land was always in danger of invasion from the less fortunate peoples of the surrounding deserts.

The deities that supported the Pharaoh also wore appropriate headgear, but in their case not on the brow but further up on the head, above the hairline. In many cases this headgear was in the form of an animal's head, such as the jackal or the ibis-bird; but in some cases it was just a small black box on a black plate.

Was this a form of tefillin?

A case in point is the goddess Isis, who stands behind her deceased husband, the Pharaoh Osiris, wearing such a black box on her head, as depicted on the mummy of Kep-ha-eses of the second century BCE in the Copenhagen Glyptotek Museum.

Another example comes from the tomb of Anher-Khaou in Thebes, of 1,000 years earlier, where it is again the lady Isis wearing a black, box-like headdress, leading a boat-load of gods that take the deceased to his place in the next world.

What was this black box?

It has a stepped profile and represents the royal throne of the dead Pharaoh Osiris, who ruled over the next world. Isis, his sister and wife, by wearing this black box, could assist the suppliant to reach the world of everlasting life presided over by Osiris.

THE CHILDREN of Israel during their sojourn in Egypt must have been familiar with such depictions, and with the concept of the ruling classes of the country wearing headgear symbolic of their physical and cultic functions. Whether we see these local customs in a positive or negative light, they were representative of the country from which the Israelites were being evacuated. Indeed, a reminder of such customs was to be one purpose of the tefillin, which were to be a "remembrance between your eyes... that with a strong hand the Lord brought you out of Egypt" (Exodus 13:9).

However, in another passage the tefillin to be worn on the head are described as totaphot (Deut. 11:18), which is a completely obscure biblical word. Much later, the rabbis of the Mishna take it to mean just an ornament, but the great Rabbi Akiva looks at the origin of the word and derives it from a doubly foreign source. Alluding to the four sections of the head tefillin, he claims it means two and two in the languages of "Katpi" and "Afriki" (Talmud Sanhedrin 4B), which sound like Coptic and Egyptian. In Rabbi Akiva's view, then, the connection to Egypt is clear.

THIS CONNECTION of one of our most sacred artifacts to Egypt should not surprise Orthodox Jews. It is a connection that applies throughout our religion, and is especially manifest in the details of the Tabernacle that travelled throughout the wilderness with the Children of Israel.

The Tabernacle, being a tent in a large courtyard, is very similar in layout to the camp of Rameses II before the battle of Kadesh in Syria.

The Hebrew Tabernacle, after all, was also a shrine that was carried out to battle, but the analogy goes deeper. The tent of Rameses is divided into two parts, and the smaller inner sanctum contains a deity protected by two winged beings, not unlike the cherubim described as guarding the Holy Ark.

Just as only the High Priest was allowed into the inner sanctum, so it was only Rameses, earthly representative of his god, who was allowed to enter this chamber.

THE OUTER altar of the Tabernacle is clearly related to other religious practices, but it is interesting that the inner, or golden, altar was only for incense and spice offerings. This was unusual in pagan practices except in Egypt, where animal sacrifices were frowned upon and often forbidden, and where most altars were devoted to meal and incense offerings.

More controversial is the source of the table of bread offerings, the Lehem Hapanim - literally "bread of faces" - that was to be renewed by the priests on a weekly basis. We see from the story of the young David running away from Saul that this was the practice among the priests of Nob (1 Samuel 21:7), but what was its origin? Did the priests need this bread? Or, indeed, did the Lord need it?

IN ANCIENT Egypt, during the Old and Middle Kingdoms, every person of importance was given a handsome tomb with a door through which the relatives could feed the deceased in his afterlife. Obviously this became a bit of a burden for the living, to feed the dead every week, so the task was given over to the priests, but they also found it to be a burden.

Eventually it was done symbolically by erecting a stone table at the door of the tomb and showing a whole collection of food that was considered to have been given to the occupant. At the centerpiece of this carving there was always a table of bread, consisting of a number of loaves, varying from 16 to eight, always arranged in pairs, facing in opposite directions, on top of the table. The bread was facing in two directions; it was literally "bread of facings."

THE INTIMATE relationship of the Tabernacle and other items of our sacred artifacts to Egyptian models may, on the surface, be anathema to our Orthodox brethren. But it should not be so.
On the contrary, it is evidence that our people did come out from an Egyptian culture, and so refutes Bible scholars who seek to discount the story of the Exodus.

The details of the Exodus may be unverified, but those of the Sojourn are clear. Our own Book of Books, pointing again and again to the intimate connection with the most highly developed culture of its time, should convince critics that the Israelites did indeed do time in Egypt.

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The writer is a Fellow of the Albright Institute of Archaeological Research, Jerusalem.

Archaeologists unearth Pharaonic statues in Egypt's Luxor

Archaeologists have discovered five complete Pharaonic statues and four statue heads in the Avenue of the Ram-Headed Sphinxes in Karnak in Egypt's Luxor, MENA news agency reported Monday.

The statues were in an astonishingly very good shape and had hieroglyphic inscriptions on them, MENA said, adding the new finding proved the importance of excavations at the site.

It, however, didn't give more details about the newly- discovered statues.

The avenue of ram-headed sphinxes led the visitor to the massive front of the first pylon of the Karnak Temple in the ancient city of Luxor, some 690 km away from the capital Cairo.

The huge Karnak Temple, covering an area of 1.2 square kilometers, has sanctuaries, huge columns, obelisks and even a sacred lake. Its main entrance is lined by the ram-headed sphinxes.

Built 3,000 years ago, the Karnak Temple is a vast open-air museum and the largest ancient religious site in the world, and is probably the second most visited ancient sites in Egypt, second only to the Giza Pyramids in western Cairo.

Egyptologist-Jean-Francois Champollion 1790-1832 by Dr. Sherin ElKhawaga

Champollion was a French Egyptologist, who is acknowledged as the father of modern Egyptology. He achieved many things during his short career, but he is best known for his work on the Rosetta Stone. It was his deciphering of the hieroglyphics contained on the Stone that laid the foundations for Egyptian archaeology. He was born in 1790. His oldest brother educated him until he turned 10, at which time he was enrolled in the Lyceum in Grenoble. His brother was also an archaeologist, and it is probably from his influence that he developed a passion for languages in general and for Egypt in particular. While he was at the Lyceum, he presented a paper in which he argued that the language of the Copts in contemporary Egypt was in essence the same as that used by the Egyptians of antiquity. His education continued at the College de France, where he specialized in languages of the Orient. He knew bits and pieces of many languages, and was fluent in several others. A partial listing of the languages he was familiar with is astounding: Hebrew, Arabic, Syriac, Chaldean, Chinese, Coptic, Ethiopic, Sanskrit, Pahlevi, and Persian. When he finished his education, he was invited to teach Royal College of Grenoble, where he taught history and politics. By the age of 19, he had earned his Doctor of Letters and his career began really taking off. He continued to teach at Grenoble until 1816. In 1818, he was appointed to a chair in history and geography at the Royal College of Grenoble, and taught there until 1821. While he was teaching, he continued his research on ancient Egypt. He began to be noticed by others, and that resulted in his appointment as the conservator of the Louvre Museum's Egyptian Collection in 1826. In 1828, he began a year-long trip to Egypt. He traveled with one of his students, Ippolito Rosellini. Rosellini was an Italian, who became a fairly well-known archaeologist in his own right. While they toured Egypt, Champollion took detailed notes of what he saw. Rosellini did the same, although his medium was engravings/drawings, and not words. The notes and engravings they left behind are still regarded as some of the best ever done. Together, they preserved a lot of information that otherwise would have been lost. In 1831, the First Chair of Egyptian antiquities was created for him at the College de France, and he became a member of the French Academy. Sadly, he didn't get to enjoy this coveted post very long. He died of a stroke in 1832

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